%27.jpg)
Into the woods consists two layers of printed fabrics. The one in front is semi-transparent fabric and let us glimpse into the woods behind. each: 275 x 850 x 300 cm
.jpg)
.jpg)
2012/09/19
Into the woods
Into the woods consists two layers of printed fabrics. The one in front is semi-transparent fabric and let us glimpse into the woods behind. each: 275 x 850 x 300 cm
2012/09/04
Upcycling Design - Bags from used leather couches
Annemiek Mion cuts leather from discarded couches, screenprints them and creates fashionable bags
www.miontas.nl
www.miontas.nl
 |
| working at AGA |
 |
| printing on the textile tabel at AGA |
Volcanic Bombes
inspired by her travels to places where the skin of the earth is thin she works from photography to a third dimension
www.mariekebolhuis.com
2012/08/06
'Hill' and 'Seaprint' by Christina Hallstrom
work by Christina Hallstrom selected for BOUNDLESS kick-off exhibition
www.christinahallstrom.blogspot.com
Description of proces:
'My focus has been on reaching the transparency needed for layering images printed on textile. My research had a lot to do with transparency and grain. The ink in combination with the silk builds up its own grain. By using different kinds of inks and different squeegees while printing I started to get a grip on thin material as silk.
In the work ‘Hill’ (350x200x200cm) I translated a videosequence into print, creating a multi-interpretable image where the eye can wonder in all directions, and zoom in and out in a sort of reversed or ‘slow’ filmmaking.
The ‘film-strips’ are screenprinted on thin JiangSu silk fabrics which hang free from the ceiling in an arranged group.
Due to the fabrics’ transparency the images can be seen from both sides. From each side the viewer will see different combinations and image-overlaps. '
www.christinahallstrom.blogspot.com
 |
| 'Hill', video sequence printed on JiangSu silk |
 |
| detail seaprint |
 |
| printing |
Description of proces:
'My focus has been on reaching the transparency needed for layering images printed on textile. My research had a lot to do with transparency and grain. The ink in combination with the silk builds up its own grain. By using different kinds of inks and different squeegees while printing I started to get a grip on thin material as silk.
In the work ‘Hill’ (350x200x200cm) I translated a videosequence into print, creating a multi-interpretable image where the eye can wonder in all directions, and zoom in and out in a sort of reversed or ‘slow’ filmmaking.
The ‘film-strips’ are screenprinted on thin JiangSu silk fabrics which hang free from the ceiling in an arranged group.
Due to the fabrics’ transparency the images can be seen from both sides. From each side the viewer will see different combinations and image-overlaps. '
2011/10/29
Subscribe to:
Posts