(see workshops at program)
Ludwig's work is characterized by a combination of techniques which he calls Hybrid print. His work selected for the BOUNDLESS kick-off exhibition (Gris-Gris for Trinity Island) consists of Ultrachrome, archival inkjet print and photopolymer gravure etching by using Inkjet and intaglio on rag paper mounted to heavy rag paper; grommets, corroded and numbered push pins.
He comments:
'Over the past several years, I developed a body of work inspired by artist residencies and travel excursions to numerous locales, including China, Cuba, Turkey, Costa Rica, British Columbia, the Louisiana wetlands, Death Valley, and The Great Basin. I feel a sense of urgency to immerse myself in the now-fleeting, fragile landscape and ever-transforming global culture in which we all reside. In the end, I strive to create a richly complex, visual atmosphere that promotes reflection, and in some small way, contributes to raising consciousness about substantive issues surrounding the environs, culture, and history of a particular place in time.'
see category mixed techniques for a complete report by Ludwig on his working proces
from left: Naan Rijks, Willem van Oijen, Scott Ludwig |
scottludwigart.com
for A.I.R. periods contact info@amsterdamsgrafischatelier.nl